AfterNAMMth: 2016 Edition
It’s that time of year when gearheads like myself get excited for the late-January trip to Anaheim. It’s always hectic trying to deal with the masses when parking and then having to join them as we funnel through the few available entrances of the convention center. NAMM is the only time of the year when I agree to wait in line to use and escalator and only be allowed to ride it in small groups.
The Ernie Ball Music Man booth was my favorite booth of the convention. They showcased all of their new products in a thoughtful way that encouraged interaction with those visiting the booth. Some notable standouts from EBMM were their new line of overdrive and delay expression pedals, the Cutlass and Stingray guitars, and new signature models for St. Vincent and James Valentine. The St. Vincent guitar is by far the most unique and visually intriguing instrument of this year’s guitars. The guitar I was most impressed with, and the one was named Best in Show for 2016, was the new James Valentine signature model. This guitar looks great, plays great, and that’s all that you’re really looking for in a quality instrument.
Another standout booth was D’Angelico guitars. Their guitars are mainly hollow, or semi-hollow, body instruments that feel like art pieces as much as they do as guitars. I am highly considering getting a EX-DC as my next guitar. I was also a fan of the EXL-A, an acoustic archtop guitar that was stunning. I would recommend those to anyone looking for an affordable, well built instrument and especially to those looking for a great jazz box. D’Angelico also had a cool looking, limited edition EX-59 Marilyn Monroe guitar that caught the attention of many, but is only limited to a run of 20 — 12 of which will be for the US. The most unique guitar in their booth was the Teardrop New Yorker, which is part of their New York made Master Builder series.
Both ESP and Schecter impressed me with their instrument diversity and are sure to attract a variety of supporters. In the past, I felt like ESP and Schecter both catered toward the hardcore, or metal player, but now I feel like they are trying to branch out with more classic shapes, while still providing the radical designs that brought them to the forefront. Schecter had a great take on a Gibson Explorer-type of guitar that will definitely be of interest to many. They also unveiled a new Jeff Loomis guitar, called the Cygnus, which I expect will be a very popular model for them. ESP debuted two signature models that both look awesome: the Glen Tipton signature and a new James Hetfield V.
The Fender booth is consistently impressive and this year did not disappoint. They announced the limited edition Magnificent Seven series of guitars, which will be released for only one month per model and with limited quantities of each. Similar to last year’s 10 for ’15, these guitars are sure to sell out and become instant collectors items. I was excited about the release of both a signature guitar and amp for The Edge.
The U2 guitarist’s sound is immediately identifiable and a good portion of that has come from using Fender products. The black strat and maple neck are timeless classics for a reason and it was not a surprise that The Edge chose them for his signature model. His hardwired Edge Deluxe amp is the fourth signature amp that Fender has made, building upon the success of the Eric Clapton amps. Fender also introduced the Bassbreaker Series of amps which consists of nine different models that will appeal to a diverse group of players. This is definitely one of the new releases at NAMM that I wish I could’ve spent more time playing.
The return of the CE model from PRS was a definite highlight for me. After being off the market for at least 10 years, PRS has decided to bring back this popular model that first debuted in 1988. Between the resurrection of the CE and the jaw dropping Private Stock models, PRS continually puts out high quality instruments. I also appreciate that Paul Reed Smith can often be found taking pictures and answering the questions of players, dealers, and associated media.
In the matter of full disclosure: I’m not only a fan of these guitars, but I’m also a proud owner of a 30th Anniversary Custom 24 and couldn’t be more pleased.
The lackluster booth of the NAMM show (in my opinion) unfortunately went to Gibson. Their 2016 lineup featured the departure of the robot tuning gimmick and returned the brand to the quality and reputation that its fans have come to expect. The lowered price points will definitely help soothe the sour taste in the mouths of those who jeered the moves that Gibson had made in years past. I felt like the booth was too dark and it felt more like Club Gibson than a company trying to showcase their beautiful instruments. I like that Gibson had some top of the line models available to demo, including the limited edition Bob Dylan SJ-200, which was a treat to play. Gibson was more sad city than music city and that was kind of a let down.
As the 2016 winter NAMM show comes to a close, I’m excited about all of the new gear coming out soon. I have already begun plotting how I’m going to afford some of the things that stood out. My legs are excited to have another year to prepare for the hell I put them through walking the floor. It may be an insignificant detail, but I was impressed that D’Angelico passed out little bottles of hand sanitizer in their gift bags. I appreciated that D’Angelico was thoughtful enough to help us fight the dreaded NAMMthrax virus.